“Mr. Polenzani has a ringing, clarion lyric tenor that he can push to heroic heights…”

New York Sun

“Pianist Ken Noda was most compelling here, supporting the tenor with dexterous, ardent playing.”

Parterre Box

Vocal Arts DC presents

Matthew Polenzani, Tenor

Ken Noda, Piano

Monday, November 9th, 2026

La Maison Française at the French Embassy

4101 Reservoir Rd NW, Washington, DC 20007

7:00 PM

RECITAL DURATION TBD

Tenor Matthew Polenzani and pianist Ken Noda bring their celebrated artistry to an intimate and searching evening of song at the French Embassy.

Opening with Franz Schubert’s Schwanengesang, the composer’s final and perhaps most profound gift to the song repertoire. This cycle, whose title evokes the legendary swan’s last song before death, moves through landscapes of longing, loss, and transcendence, setting texts by Heine and Rellstab with visionary intensity. Together, Polenzani and Noda explore every shade of this journey, a collaboration illuminating both the aching vulnerability and the quiet, inexorable beauty that make Schwanengesang an enduring pinnacle of song.

The second half of the program turns to the rich warmth of the Italian tradition, with a selection of songs and arias by Francesco Cilea, Ildebrando Pizzetti, Ruggero Leoncavallo, Gaetano Donizetti, and Francesco Paolo Tosti. From the passionate ardor of the verismo masters to Tosti’s incomparable gift for melody and Pizzetti’s quietly spiritual lyricism, this is music that speaks directly to the heart.

Polenzani — one of the most admired tenors of his generation — brings to these works a voice of honeyed beauty and rare expressive intelligence, while Noda’s piano ensures that voice and piano speak with one voice.

Selections include:

Schwanengesang – Schubert

La barcheta – Reynaldo Hahn

Sopra l’aqua indormenzada – Reynaldo Hah

L’anima ho stanca – Francesco Cilea

I pastori – Ildebrando Pizzetti

Mattinata – Ruggero Leoncavallo

Amore e morte – Gaetano Donizetti

Me voglio fa na casa – Gaetano Donizetti

Serenata – Paolo Tosti

A vucchella – Paulo Tosti

Non t’amo piu – Paulo Tosti

Marechiare – Paolo Tosti

*Selections subject to change*

THE SOUND WORLD OF MATTHEW POLENZANI & KEN NODA

Listen to Matthew & Ken!

MEET THE ARTISTS

MATTHEW POLENZANI, TENOR

American tenor Matthew Polenzani is one of the most gifted and distinguished lyric tenors of his generation. His elegant musicianship, innate sense of style, dramatic commitment, and timeless artistry have established his continued presence at leading operatic, concert, and recital venues worldwide.

MORE ABOUT MATTHEW!

The 26/27 season reunites Mr. Polenzani with some of his most lauded roles. He will appear at The Metropolitan Opera in four engagements this season, bowing as Chevalier Des Grieux in Massenet’s Manon, the Italian Singer in Strauss’ Der Rosenkavalier, Mario Cavaradossi in Puccini’s Tosca, and soloist in the Diamond Jubilee: 60 Years at Lincoln Center, a gala featuring staged scenes from over 30 operas. 

He opens his season at Semperoper Dresden as Don Jose in Bizet’s Carmen, a role he has previously performed to great acclaim at The Metropolitan Opera, San Francisco Opera, and Teatro alla Scala. Mr. Polenzani will also return to Houston Grand Opera, making his debut as Gounod’s Faust, and will bring his “elegant” and “masterful” (Operawire) portrayal of the title role in Mozart’s La clemenza di Tito to Opéra national de Paris. On the concert stage, Mr. Polenzani joins the Baltimore Symphony Orchestra for Verdi’s powerful Requiem, and will appear in recital for The Kennedy Center and the Chamber Music Society of Lincoln Center. 

Mr. Polenzani opened his 25/26 season with a return to Lyric Opera of Chicago, once again bringing “heroic vocal strength and flexibility” and “clarion top notes” (Chicago Classical Review) to Giasone in Sir David McVicar’s lush production of Cherubini’s Medea. He appeared at The Metropolitan Opera for two productions, as Pinkerton in Puccini’s Madama Butterfly and Don José in Bizet’s Carmen, a role he reprised later that season at Teatro alla Scala. He also made a thrilling role debut as Riccardo in Verdi’s Un ballo in maschera at the Opéra Bastille, brought his “spectacular” (Houston Chronicle) interpretation of Massenet’s Werther to Barcelona’s Gran Teatro del Liceu, and bowed as Florestan in Beethoven’s Fidelio at the Bayerische Staatsoper.

Career highlights from previous seasons at The Metropolitan Opera include the premieres of Bartlett Sher’s production of L’Elisir d’Amore, which opened the 2012 season, Sir David McVicar’s production of Maria Stuarda (issued on DVD by Erato), as well as McVicar’s new production of Donizetti’s Roberto Devereux, which was featured on PBS’ Great Performances at the Met. Further highlights include his role debut as Vaudémont in Tchaikovsky’s Iolanta, Penny Woolcock’s production of Les Pêcheurs de Perles (issued on DVD by Erato), Willy Decker’s production of La Traviata, Robert Carsen’s production of Der Rosenkavalier (issued on DVD by Decca), Julie Taymor’s legendary staging of Die Zauberflöte (DVD available from The Metropolitan Opera), and revivals of Les Contes d’Hoffmann, Rigoletto, Don Pasquale (Deutsche Grammophon DVD release), Don Giovanni, Roméo et Juliette, Il Barbiere di Siviglia, Così fan tutte, Falstaff, Die Meistersinger von Nürnberg (DVD available from Deutsche Grammophon), and L’Italiana in Algeri. To date, he has starred in more than 300 performances at The Met.

Mr. Polenzani is continuously in demand for concert engagements with the world’s most influential conductors, including James Conlon, Sir Colin Davis, Riccardo Frizza, Rafael Frühbeck de Burgos, Louis Langrée, Jesús López-Cobos, Riccardo Muti, Sir Antonio Pappano, Sir Simon Rattle, Wolfgang Sawallisch, Leonard Slatkin, Sir Jeffrey Tate, Franz Welser-Möst, David Zinman, Riccardo Chailly, and Daniel Harding. He frequently performs with premiere ensembles in the United States and Europe, including the Berlin Philharmonic, Boston Symphony Orchestra, Chicago Symphony Orchestra, Cleveland Orchestra, Los Angeles Philharmonic, New York Philharmonic, San Francisco Symphony, Cincinnati Symphony, Minnesota Orchestra, St. Louis Symphony, Orchestra del Santa Cecilia, Orchestre National de France, and the Münchner Philharmoniker.

In recital, Mr. Polenzani has appeared in numerous venues across America with pianist Julius Drake and at London’s Wigmore Hall (available on CD from the Wigmore Hall label). He has also performed with noted pianist Richard Goode in a presentation of Janáček’s The Diary of One Who Vanished at Carnegie’s Zankel Hall and in recital at the Verbier Festival with pianist Roger Vignoles (commercially available on CD from VAI). Mr. Polenzani was honored to have sung on all three stages of Carnegie Hall in one season: in concert with the MET Chamber Ensemble at Zankel Hall, a solo recital in Weill Hall, and a Schubert Liederabend on the stage of Isaac Stern Auditorium.

Mr. Polenzani was the recipient of the 2004 Richard Tucker Award, The Metropolitan Opera’s 2008 Beverly Sills Artist Award, and a 2017 Opera News Award. An avid golfer, he makes his home in suburban New York with his wife, mezzo-soprano Rosa Maria Pascarella, and their three sons.

KEN NODA, PIANO

Ken Noda is Musical Advisor to the Metropolitan Opera’s Lindemann Young Artist Development Program.  He has been a coach and teacher at the Met since 1991. 

MORE ABOUT KEN!

Ken Noda is Musical Advisor to the Metropolitan Opera’s Lindemann Young Artist Development Program.  He has been a coach and teacher at the Met since 1991. 

He is also a guest coach at the Verbier Festival in Switzerland, Salzburg Mozartwoche,  Carnegie Hall Weill Music Institute, and the Chamber Music Society of Lincoln Center.
Born in New York to Japanese parents in 1962, Mr. Noda worked as a solo pianist in the 1980s with Claudio Abbado, Daniel Barenboim, Riccardo Chailly, Rafael Kubelik, James Levine, Zubin Mehta,  Seiji Ozawa, and  André Previn with such orchestras as the Berlin, Vienna, New York, Israel, and Los Angeles Philharmonics; the London, Boston, Chicago, and San Francisco Symphonies; the Cleveland Orchestra; and Orchestre de Paris.  He has performed chamber music with Itzhak Perlman, Pinchas Zukerman, Lynn Harrell, and Nigel Kennedy.  As a vocal accompanist, he has collaborated with Kathleen Battle, Hildegard Behrens, Maria Ewing, Aprile Millo,  Kurt Moll, James Morris, Jessye Norman, Matthew Polenzani, Deborah Voigt, Frederica von Stade, and Dawn Upshaw.  He worked closely from the 1990s to 2010s with Marilyn Horne and Renata Scotto at their invitations as a faculty member in their training programs for young singers.  Among a new generation of singers he has accompanied Lisette Oropesa, Erin Morley, Ying Fang, Ailyn Perez, Kate Lindsey,  Paul Appleby, Russell Thomas, and Ryan Speedo Green.

rum ipsum dolor

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